"Supplication and response"
​for soprano and piano (2020) op.81
A setting on a text by Antigoni Gaitana, dramatist, reffering to congregants supplication and Gods’ response within an Ancient Greece ritual for soprano and piano. Edited by Christos Marinos.
The parts:
I.Supplication (Ceremonialmente)
II.And… (Meno mosso)
III.Response (Misterioso- tempo primo)

For score: 
www.sheetmusicplus.com/title/supplication-and-response-for-soprano-and-piano-digital-sheet-music/21763822
www.musicaneo.com/sheetmusic/sm-469275_supplication_and_response_for_soprano_and_piano_op_81.html#469275
"Epilychnios" for counter-tenor
and church organ
​(2019 - 2020) op.80
“Hymn Epilychnios”, one of the oldest text samples of Eastern Orthodox Church rituals was set by the composer at the beginning of his carrier as a 4-part choral piece, “Phos Ilaron” op.1. Epilychnios Hymn is an ancient Christian Hymn originally written in Hellenistic Greek. It is the earliest known Christian hymn, recorded outside of the Bible,  that is still being used today. The hymn is featured in the Vespers of the Orthodox Church. Now this work stands as a special commission by Thomas Tamvakos Greek Composers’ Archive and dedicated to the artists of the premier performance Nikos Spanatis, counter-tenor and Christina Antoniadou, organ soloist (organist at the Anglican Church in Athens) who both made a recording of the piece for an upcoming cd.
Text:
"O Light gladsome of the holy glory of the immortal Father,
heavenly, holy, blessed Jesus Christ.
Now we have come to the setting of the sun
and behold the light of evening.
We praise God: Father, Son, and Holy Spirit.
For it is right at all times to worship Thee with voices of praise,
O Son of God and Giver of Life,
therefore all the world glorifies Thee!"

For score:
www.sheetmusicplus.com/title/epilychnios-for-counter-tenor-and-church-organ-digital-sheet-music/21763818
www.musicaneo.com/sheetmusic/sm-469188_epilychnios_for_counter-tenor_and_church_organ_op_80.html#469188
"Echoes" for flute and vibraphone (2018) op.75

Work specially written iwona Glinka και Leszek Lorent to whom is dedicated.
The parts:
I. ...from inner self (Misterioso)
II. ...from a dialogue (Giocoso)
III. ...from beyond (Quiet)
IV. ...from an illusion (Dancing)
V. ...from herself (Tempo di Waltz) to Myrto
The mysterious echo of inner self after a dialogue stimulation with another person. The intervention of the divine. A moment illusion. The unveiling of the other's soul echo. Dance.
The last part is dedicated to composer;s wife, Myrto Lazaridou - Theodossiou.

For score and parts:
https://www.sheetmusicplus.com/title/echoes-for-alto-flute-and-vibraphone-digital-sheet-music/20685461
​https://www.musicaneo.com/sheetmusic/sm-322838_echoes_for_alto_flute_and_vibraphone_op_75.html
"Sentiments" for soprano saxophone and piano (2017) op.74

The parts:
I.Longing (Cadenza adagio - Teneramente e appassionato)
II.Sorrow (Sostenuto)
III.Joy (Allegro swing)
The work is written after a comission by "Duo Macarons" (Veronica Haitling - Riccardo Bozollo) to whom is dedicated. It is am adaption and development  of three of 12 "Little Studies" for piano solo (Vol.1 - 2)
(1998 - 2002).

For score and parts:
​https://www.sheetmusicplus.com/title/sentiments-for-soprano-saxophone-and-piano-digital-sheet-music/20774598
https://www.musicaneo.com/sheetmusic/sm-338574_sentiments_for_soprano_saxophone_and_piano_op_74.html
"Between Times" "Time past and time future..." for clarinet, viola and piano
​(2017) op.73

Work written within the framework of composer's postgraduate studies on "Composition for Vocal and Instrumental Ensembles" in Ionian university and dedicated to the professor Josef Papadatos. Based on an excerpt from the "Four Quartets" by T.S.Eliot is polystilistic in idiom and in concertante style. 
"Time present and time past
Are both perhaps present in time future
And time future contained in time past. 
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present."
(T.S.Eliot, "Four Quartets")
Τα μέρη:
I.Adagio misterioso (Outer Space, Gravity Zero)
II.Allegro (Into a time vortex)
III.L'istesso tempo (Escape) to Antonio Vivaldi & Dmitri Shostakovitch
IV.Andante rubato (Tranquillity Nebula) to Olivier Messiaen
V.Allegro (Gravitational Disorder) to Keith Emerson
VI.Adagio misterioso (Eternal Present)
Premier by "Ionian Islands Festival Ensemble" (Alexandros Michailidis - Elias Sdoukos - Stefanos Nassos) at Ionian Academy Theater in 2017.
The work was chosen by International Society for the Contemporary Music to represent Greece in 2018 ISCM World New Music Days in Beijing Modern Music Festival, China. Performance by Trio Clavino (Doris Hall - Gulati, Simon Maurer, Xun Pan)

​For video:
https://www.youtube.com/watch?v=A8HmKTa7uAE

For score and parts:
https://www.sheetmusicplus.com/title/between-times-for-clarinet-viola-and-piano-digital-sheet-music/20774069
https://www.musicaneo.com/sheetmusic/sm-337534_between_times_for_clarinet_viola_and_piano_op_73.html
"Chromatic Variations" for two flutes (concert & alto) (2017) op71
 Written for the project "Call for recording - Two Minutes for Two Flutes" by Iwona Glinka and Ewa Liebchen for "SARTON" label. Based on symmetry of intervals, is a two minutes series of continuous variations with chromatic mouvement as dominant element. In 2018 the composer made a transcription for flute and clarinet.

For score:
https://www.sheetmusicplus.com/title/chromatic-variations-digital-sheet-music/20469609
​https://www.musicaneo.com/sheetmusic/sm-292049_chromatic_variations_for_two_flutes_concert_alto_op_71.html
String Quartet n.2 "To the uknown..." Nikos Goulias in memoriam
​for string quartet (2017) op.68

 Work written within the framework of composer's postgraduate studies on "Composition for Vocal and Instrumental Ensembles" in Ionian university.
The parts:
1st Mouvement (Dies Irae) 
a. March, "Death is approaching"
b. Fugue, "Soul is chased"
c. Canon i, "Back to the body"
d. Canon ii, "To the last breath"
e. Coda, :The End"
2nd Mouvement (Variations on a Theme"
Theme, Lento misterioso: "Leaving the body..."
Var. I: "Soul is alone"
Var. II: "...and begins to wander..."
Var. III: "Pain from above"
Var IV: Very intimate, "To the uknown..."
Epilogue, Lento
The work is based in three structural elements: A symmetrical tone - semitone scale, the characteristic motive of "Dies Irae" hymn, and a 12 tone series on the nameletters of the honoured person. It is dedicated to architect and author Nikos Goulias, composer's cousin, and is the music equivalent of the journey of the soul during and after death.

For score:
https://www.sheetmusicplus.com/title/string-quartet-n-2-digital-sheet-music/20471922
https://www.musicaneo.com/sheetmusic/sm-292346_string_quartet_no_2_op_68.html
"Milonga", for two pianos (2016) op.67
 
​Concertante piece especially written"a la maniere de" Astor Piazzolla" for an "Duo Spechio" piano duo upcoming cd  to whom is also dedicated.

For score and parts:
https://www.sheetmusicplus.com/title/milonga-for-piano-duo-digital-sheet-music/20469615
https://www.musicaneo.com/sheetmusic/sm-292050_milonga_for_piano_duo_op_67.html
"It"
​Suite
for clarinet, piano, double bass
and drums
(2106) op.64. 
 
www.musicaneo.com/sheetmusic/sm-263128_it_movie_score_suite_for_clarinet_piano_double_bass_and_drums_op_64.html#263128www.musicaneo.com/sheetmusic/sm-263128_it_movie_score_suite_for_clarinet_piano_double_bass_and_drums_op_64.html#263128
​Music Score the silent movie by Clarence Badger και Josef von Sternberg "It" (1927) with Clara Bow, Antonio Moreno and William Austin on the leading roles.
I. Title Music
II.The "IT" quality
III.Waltham's Store
IV.In the Office with Monty (Goodluck)
\V.Elinore Glyn's "IT"
VI.Betty in the Store
VII.Taking the Bus
VIII.Gas-house Gables (The Kids-The Date-The Baby)
IX.At Betty's Home (Mother's Hard Time - Preparations for the Dinner - Two Worlds)
X.At the Ritz!
XI.Crabby Customer - Betty in the Office
XII.In the Fun House
XIII.This is my baby
XIV.A Bitter Misunderstanding
XV.Monty at Betty's Home - Misunderstanding Solved
XVI.Getting on Board - Monty Tries to Escape
XVII.Miss van Cortland on Board
XVIII."IT", Something Between them (Music on Deck - Rejection - Women at Sea - Reunion)
XIX.End Titles
Premier in 7th Silent Movie with Live Music Festival at Michael Cacoyannis Foundation in June 2016, by Stathis Kiosoglou clarinet, Alexandros Makris piano, Yiorgos Arnis double bass and Vassilis Panagotopoulos drums ("IT" ensemble). Next performances by the same ensemble: At the "Shoe Factory" Nicosia, Cyprous during the elLive Festival in January 2017, at "Benetatou Foundation, Psychiko, Greece in March 2017 and at Palaiologos Grove, Nea Ionia, Greece during the "Cinema, Music & Theater Evenings" Festival in July, same year.

For video:
www.youtube.com/watch?v=MITSwbivK8o&t=63s
www.youtube.com/watch?v=bG02VDl8ot0
www.youtube.com/watch?v=TdhKtAgqgcM&t=9s
www.youtube.com/watch?v=N2iiVjQsW3k&t=29s


For score and parts:
www.sheetmusicplus.com/title/it-digital-sheet-music/20361231
www.musicaneo.com/sheetmusic/sm-263128_it_movie_score_suite_for_clarinet_piano_double_bass_and_drums_op_64.html#263128
​
"From a Diary of a Chid"
Short everyday stories
​30 easy pieces for flute and piano (2016) op.63


Based on, under the same title, 30 pieces for piano solo. Dedicated to composer's little son, flutist, Orfeas Theodossiou, Nine of the pieces transcribed by the composer under the collection "From a Diary of a Child" for sax trio op. 63b and dedicated to Glykeria Moraitaki, conductor and bandleader of the Philarmonic Band of Korinthos Municipality, who performed it with her students at Kaloy's Conservatory Concert Hall in 2019.

For score:
www.sheetmusicplus.com/title/from-a-diary-of-a-child-flute-piano-version-digital-sheet-music/20440189?narrow_by=from+a+diary+of+a+child

​
"Three Rivers"
(Acheron, Kokkytos, Pyriphlegethon)
Suite Concertante for flute, clarinet,
​violin, cello and piano
(2009 - 2015) op.62

Based on an excerpt from Homer's  Odussey:"Ενθα μέν εις Αχέροντα Πυριφλεγέθων τε ρέουσι Κώκυτος θ', ος δή Στυγός ύδατος έστιν απορρώξ πέτρη τε ξύνεσίς τε δύω ποταμών εριδούπων".( Κ 513-515). {"There, at Acheron river, Pyriphlegethon and Kokkytos,drain into, spring both from Styx's  water , at the same rock, two buzzing rivers blend" ). Dedicated to composer's mother Barbara Theodossiou - Maniatea (1926 - 1973).

For score and parts:
www.sheetmusicplus.com/title/two-rivers-for-mezzo-soprano-flute-clarinet-violin-cello-and-piano-digital-sheet-music/20514290?narrow_by=three+rivers
www.musicaneo.com/search.html?q=panagiotis+theodossiou+from+a+diary+of+a+child
​
"Images", for cello and guitar
(adaption of "Little Preludes" for guitar solo) 
(2015) op.59

a. “Circles”
b. “Rock Fanfare”
c. “Bells”
The work is dedicated to Leslie Jones and Giannis Petridis.

For score and parts:
www.sheetmusicplus.com/title/images-for-cello-and-guitar-digital-sheet-music/20775187?narrow_by=images
​www.musicaneo.com/sheetmusic/sm-338684_images_for_cello_and_guitar_op_59.html#338684
"Jazz Suite for Two Pianos"
transcription of "Jazz Trio Suite" (2015) op.58

Parts:
I.Fuga
II.Jazzy
III.Gnome
IV.Seven Times Twelve
V.Nocturne
VI.Fire Dance
VII.Toccata
The work was written for the piano duo "Effie Agrafioti - Giorgos Kontrafouris".

For score and parts:
www.sheetmusicplus.com/title/jazz-suite-for-two-pianos-digital-sheet-music/20775987?narrow_by=jazz+suite
www.musicaneo.com/sheetmusic/sm-338762_jazz_suite_for_two_pianos_op_58.html#338762
​
"Two Pieces for Flute or Oboe or Clarinet
or Alto Saxophone and Piano
​in Early Jazz Idiom"  (2014) op.55

I. "Song"
II."Swing it!"
Two Pieces in early jazz idiom. Based respectively on two older piano studies by the composer. The 1st was performed in an adaption and improvisation by State Conservatory of Thessaloniki chamber ensemble (head of the department: Erato Alakiozidou) in a concert at the Theater of the Institution in 2018.

For score and parts:
www.sheetmusicplus.com/title/two-pieces-in-early-jazz-idiom-for-flute-and-piano-digital-sheet-music/20782329?narrow_by=Two+pieces
​www.sheetmusicplus.com/title/two-pieces-in-early-jazz-idiom-for-oboe-and-piano-digital-sheet-music/20782331?narrow_by=Two+pieces
​www.sheetmusicplus.com/title/two-pieces-in-early-jazz-idiom-for-clarinet-and-piano-digital-sheet-music/20782327?narrow_by=Two+pieces
​www.sheetmusicplus.com/title/two-pieces-in-early-jazz-idiom-for-alto-saxophone-and-piano-digital-sheet-music/20782325?narrow_by=Two+pieces
www.musicaneo.com/sheetmusic/sm-339066_two_pieces_in_early_jazz_idiom.html#339068
www.musicaneo.com/sheetmusic/sm-339066_two_pieces_in_early_jazz_idiom.html#339069
www.musicaneo.com/sheetmusic/sm-339066_two_pieces_in_early_jazz_idiom.html#339067
www.musicaneo.com/sheetmusic/sm-339066_two_pieces_in_early_jazz_idiom.html#339066
"Jazz Trio Suite"
for flute, piano and electric or acoustic bass 
(2014) op.54

 Based on - and adapted from - older compositions ("Music and Vision" for various ensembles, "Little Studies" for piano, "Hellenic Suite" for viola and piano, "Suite from Ancient Greece" for piano) especially for the alternative ensemble "Baroque & Blue" (Nikos Katritzidakis - flute, Vyni Founta - piano, Giannis Harbilas - el. bass, Giannis Lelloudas - drums).
I. Fugue
II.Jazzy
III.Gnome
IV.Seven Times Twelve
V.Nocturne
VI,Fire Dance
VII.Toccata
    Its concertante style derives from progressive jazz idiom. Composer's intention is to give a sequel to Claude Bolling's jazz piano trio suites (already in the ensemble's repertoire). The work is dedicated to the members of "Baroque & Blue" ensemble who performed it at General State Archives, Greece in 2014, at Attikon Odeion Concert Hall in 2015 (Ichnos Quartet), at Aetopouleion Cultural Center, Chalandri and in ERT 3d Program live "Concerts In the 3d" in 2019. Transcription availiable for violin, baritone saxophone and piano, dedicated to "Mediterranean Trio" (2015).

For video:
www.youtube.com/watch?v=XLoPrDrvy5w&t=5s
www.youtube.com/watch?v=N_WmJ-ULKlg
www.youtube.com/watch?v=kp7yJjV5u6k
www.youtube.com/watch?v=K6jQj9IULAk

For score and parts:
www.sheetmusicplus.com/title/jazz-trio-suite-digital-sheet-music/20443344?narrow_by=jazz+trio+suite
​​www.musicaneo.com/sheetmusic/sm-287463_jazz_trio_suite_for_flute_piano_and_double_bass_op_54.html#287463
"In the Years of the Mist" Suite
​for violin and cello (2014) op.53
 Written after the, by the same name, 3-part novel by Greek author Nikos Goulias.(ed. Psychogios"). It is based on typical urban music forms of Smyrna on late 19th and early 20th century.
I.Zeibekikos (Nickola's Dance)
II.Aptalikos (The Train from Kassamba to Smyrna)
III.Hassaposervikos (Lionis escapes Smyrna)
    First performance by "Duo Ficell" (Luminita Macavei - violin, Stavros Parginos - cello) at "Dieleusis" Art Hall, Athens in 2014.
The composition of the work is to be continued.

For video:
www.youtube.com/watch?v=_gkmH2VbpzA

For score and parts:
www.sheetmusicplus.com/title/years-in-the-mist-suite-n-1-for-violin-and-cello-digital-sheet-music/20774590?narrow_by=In+the+years+of+the+mist+suite
​www.musicaneo.com/sheetmusic/sm-513264_years_in_the_mist_suite_no_1_for_violin_and_cello_op_54.html#513264
"Love shattered my mind..."
for alto voice and piano (2013) op.52

  The work is based on 5 saved fragments of ancient lyrical poetry, on love, by Greek poetess Sappho (Lobel-Page 47, 48, 49, 34, Diehl 94).
   Love shattered my mind... The sinking moon has left the sky, the Pleiades have aloso gone... The coming of mistress...The turbulent expression of Love...The stars about the fair moon in their turn hide their bright face...lights up all earth with silver.
   It is dedicated to alto singer Anna Mouzaki by whom was performed at "Atheneaum Concert Hall" in 2013. Second performance by Margarita Sygeniotou and Christos Marinos in 3d Greek Chios Contemporary Music Festival, Chios Island 2019.

For score and part:
www.sheetmusicplus.com/title/love-shattered-my-mind-for-mezzo-soprano-and-piano-digital-sheet-music/21378217?narrow_by=love+shattered+my+mind
www.musicaneo.com/sheetmusic/sm-367943_love_shattered_my_mind_for_alto_voice_and_piano_op_53.html
"Greek Christmas Carols"
for flute a bec, traverse flute and bassoon
or flute, violin and cello
​(2011) op.49 & 49b

 I. Ikaria Christmas Carol
II. Crete new Year's Carol
III. Trace New Year's Carol
Musical elaboration of three Greek traditional carols in baroque style for this ensemble of three woodwinds. Written for the "Trio a bec" ensemble which performed it twice in 2011 ("Attikon Odeion" Concert Hall, "Art Gallery Cafe"). There are trancriptions of the work for sax trio (2012) and flute, violin and cello (2017, op.49b). The latter was performed in 2017 at Kaloy's Concert Hall in Korinthos.

For video:
www.youtube.com/watch?v=NatS_6vWEaA

For score and parts:
www.sheetmusicplus.com/title/greek-traditional-carols-for-alto-bass-recorder-traverse-flute-and-bassoon-digital-sheet-music/21135574?narrow_by=%22Greek+Christmas+Carols%22%2C+for+flute+a+bec%2C+traverse+flute+and+bassoon+%282011%29
www.musicaneo.com/sheetmusic/sm-345695_greek_traditional_carols.html#345695
www.sheetmusicplus.com/title/greek-traditional-carols-for-flute-violin-and-cello-digital-sheet-music/21135575?narrow_by=%22Greek+Christmas+Carols%22%2C+for+flute+a+bec%2C+traverse+flute+and+bassoon+%282011%29
​www.musicaneo.com/sheetmusic/sm-345695_greek_traditional_carols.html#345696
"Hellenic Dances"
for clarinet and piano
or flugelhorn and piano
or flute and piano
or oboe and piano
or alto saxophone and piano
or trombone and piano
or Wind Quntet
(2010) op.47, 47b, 47c, 47d, 47 e, 47f, 47g

 I.Dance of the Youngsters, Pentozalis (traditional tune from Crete)
 II.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris)
III.Dance of the Past, Dance (traditional tune from Heipiros)
 IV.Dance of the Future, Pyrihios (traditonal dances from "Sera" and "Shereanit'sa"  from Pontos)
 Transcription of four parts by "Hellenic Suite " for viola and piano. Tranciptions for clarinet and piano, flute and piano, oboe and piano, alto saxophone and piano, tenor saxophone and piano, flugelhorn and piano and wind quintet are available.
The work is dedicated to Stathis Kiosoglou for whom is written and has been performed by Stathis Mavrommatis and Christina Panteli at Pera Multipurpose Hall, Konstantinople in 2011 and twice  by "O Ihos os Ehei" wind quintet in municipality of Larisa, Greece, 2014). Duo Tact (Chryssoula Georgaki - Stelios Spaniolas) performed "Hellenic Dances" in Lafkada Philarmonic Society in Lefkada, Greece, and Athenaeum Concert Hall, Athens, Greece.

​For video:
www.youtube.com/watch?v=Rul98qY4iHY
www.youtube.com/watch?v=gmr7oCxdnxo
www.youtube.com/watch?v=BJPNNeVUkv4
www.youtube.com/watch?v=O2VLtLWChFE
​
For score and parts: 
www.sheetmusicplus.com/title/hellenic-dances-for-clarinet-and-piano-digital-sheet-music/20426778?narrow_by=hellenic+dances
www.musicaneo.com/sheetmusic/sm-282411_hellenic_dances.html#282411
www.sheetmusicplus.com/title/hellenic-dances-flugelhorn-version-digital-sheet-music/20437027?narrow_by=hellenic+dances
www.musicaneo.com/sheetmusic/sm-282411_hellenic_dances.html#286044
​www.sheetmusicplus.com/title/hellenic-dances-flute-version-digital-sheet-music/20437028?narrow_by=hellenic+dances
www.musicaneo.com/sheetmusic/sm-282411_hellenic_dances.html#286046
www.sheetmusicplus.com/title/hellenic-dances-oboe-version-digital-sheet-music/20438925?narrow_by=hellenic+dances
www.musicaneo.com/sheetmusic/sm-282411_hellenic_dances.html#286052
www.sheetmusicplus.com/title/hellenic-dances-alto-sax-version-digital-sheet-music/20438928?narrow_by=hellenic+dances
www.musicaneo.com/sheetmusic/sm-282411_hellenic_dances.html#286053
www.sheetmusicplus.com/title/hellenic-dances-trombone-version-digital-sheet-music/20439197?narrow_by=hellenic+dances
www.musicaneo.com/sheetmusic/sm-282411_hellenic_dances.html#286054
​www.sheetmusicplus.com/title/hellenic-dances-wind-quintet-version-digital-sheet-music/20440153?narrow_by=hellenic+dances
 "The Passage", for alto flute, viola and piano (2010) op.46

 Introduction
 I.Ten Minutes
II.I have something to tell you!
III.Do you remember the river?
The work is based on the three, one act, theatrical plays by Greek writer and doctor Harry Candiloros, published under the same name by  "Dodoni" in 2010. The story is about the passage between this life and  life after death. The 1st is about a cosmological end which never happens. The 2nd about the death of two friends under a collapsed building after an earthquake. The 3d about an afterlife dialogue between the persons of a family. Each of the three parts of the work is written respectively after the reading of the three parts of the book.
First performance by "Meteora Ensemble" (Julia Barnett: alto flute, Kathryn Christensen:piano) with Andrea Hemmenway: viola as guest artist at Palisades Lutheran Church, Los Angeles, California in 2010. The work was transcribed for violin, baritone saxophone and piano in 2012.

​For video
www.youtube.com/watch?v=vdgtmkkiOg0
www.youtube.com/watch?v=ObO_CZZmI_c
www.youtube.com/watch?v=bBlN9FeyYHw

For score and parts:
www.sheetmusicplus.com/title/the-passage-digital-sheet-music/20433262?narrow_by=the+passage
www.musicaneo.com/sheetmusic/sm-284795_the_passage_for_alto_flute_viola_and_piano_op_46.html#284795
"Hellenic Suite", for viola and piano
​(2010) op.44

 I.Seashore Procession, Thalassaki (traditional tune from Dodekanisos)
 II. Dance of the Youngsters, Pentozalis (traditional tune from Crete)
III. Litany in Spring, Egomia (from the Evening Service of Holly Epitaph)
IV. Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris)
 V. Ancient Ritual, Orestes Stasimon (from "Orestes" Tragedy by Euripides) 
 VI. Dance of the Past, Dance (traditional tune from Heipiros)
 VII. Homelands Lost, Mia Smyrnia stoPapathyri (traditional tune from Asia Minor)
 VIII. Dance of the Future, Pyrihios (traditonal dances from "Sera" and "Shereanit'sa"  from Pontos)
      Four laments, four dances. Eight scenes depicting Hellenic History from 6th century B.C., or even earlier, up to our days, based on fragments of ancient Greek music, folk and byzantine tradition and rebetiko song tunes as well. From Greece of the distand past, to Greece of the present and, maybe, to Greece of the years to come, Hellas of the Future.
      The work is dedicated to the Greek  Composer Giannis Konstantinidis. It has been performed by Andrea Hemmenway and Konstantinos Papadakis in " Fall Arts Concert"  organised by "Hellenic University Club of Philadelphia" in "The Ethical Society Hall" of  Philadelphia in 2010. The same artists perfomed the work at  "Kendal Concert Hall" in Kendal, Pennsylvania in 2011.
      Version for violin and piano (op.44b) available. Excerpts of this version has been performed by Tania Sikelianou and Timos Gennatos at : "Ellinikon Eidyllion", Selianitika, Aigion in 2011.

For video:
www.youtube.com/watch?v=Wz0Vjxqjj7Y
www.youtube.com/watch?v=p85FLAegsfo

For score snd parts:
www.sheetmusicplus.com/title/hellenic-suite-for-viola-and-piano-digital-sheet-music/20775436?narrow_by=hellenic+suite
www.musicaneo.com/sheetmusic/sm-338718_hellenic_suite.html#338718
​​www.sheetmusicplus.com/title/hellenic-suite-for-violin-and-piano-digital-sheet-music/20775438?narrow_by=hellenic+suite
www.musicaneo.com/sheetmusic/sm-338718_hellenic_suite.html#338719
“Egomia”, Concert Monologues,
​for Wind Quintet (2009 ) op.42

Ι. “Stasis I”, Lento, come un recitativo
II. “Stasis II”, L ‘istesso tempo, molto ritmico
III. “Stasis III”, Passacaglia Ritmica, L ‘istesso tempo, grave
     A work of free serialism, composed on the ritual of the “Egomia”, a very famous litany  of the Eastern Orthodox Church which takes place  on Holly Friday.
   It consist of 3 parts, 3 “Stasis”, according to the traditional ritual. The unaccompanied monologues of the 1st “Stasis” lead to the virtuosic dialogues of the 2nd and to the general fortissimo tutti of the 3d. The work has a version with narration on the prototype text of the traditional ritual.
    It was written on November 2009 for the “Q” innegal Wind Quintet which gave the premier at the German Evangelic Church in Athens next year and is dedicated to composer’s stepmother, Eleni, who died after the completion of the work. The 3d part has also a dedication to Olivier Messiaen, on the musical style of whom there are intentional  references.

For video:
www.youtube.com/watch?v=4BNVUEHBdhg

For score and parts:
www.sheetmusicplus.com/title/egomia-for-woodwind-quintet-digital-sheet-music/20514291?narrow_by=egomia
​www.musicaneo.com/sheetmusic/sm-294902_egomia_for_woodwind_quintet_op_42.html#294902
“Two Rivers” (from Lethe to Mnemosyne)
for mezzo soprano, flute, clarinet,
violin, cello and piano
(2008) op.41

I. Lethe, the Water of Oblivion
a. The Guardians
b. Night Procession and Lament
II. Mnemosyne, the Water of Remembrance
a. Invocation
b. Incantation
The work is written between September and December 2008  for mezzo soprano Angelica Cathariou and the Greek Ensemble of Contemporary Music under Valery Oreshkin. It is based on an excerpt of an ancient greek funerary inscription of 4th century B.C. found at the Trofonius Oracle in Petilia, South Italy.
"Γης παις ειμί και ουρανού, αστερόεντος. Αυτάρ εμοί γένος ουράνιον, τόδε ίστε και αυτοί. Δίψηι δ’ειμί αύη και απόλλυμαι, αλλά δότ’ αίψα ψυχρόν ύδωρ προρρέον της Μνημοσύνης από λίμνης."
(I am a child of earth and starry sky. My origin is celestial, and you know it very well. I am burning thurst and I loose myself. But give me soon cool water, springs from Lake Mnemosyne.)
The text, which is being set at the 2nd part of the work, is an invocation of the soul descending to Hades to the guardians of lake Mnemosyne, to allow keeping its memory alive to the next life. Privilege, under tradition, of the initiate souls, counter to that of lake Lethe which led them to eternal oblivion.
The two parts of the composition are equivalent to the watery – the metaphysical element of the two lakes - rivers running across Hades. The work is dedicated to the memory of composer's father Ioannis Theodossiou (1917 - 2008) and has been performed by Angelica Kathariou and the Greek Ensemble of Contemporary Music under Valery Oreshkin at "Ph. Nakas" Concert Hall, Athens, in 2009.

For score and parts:
www.sheetmusicplus.com/title/two-rivers-for-mezzo-soprano-flute-clarinet-violin-cello-and-piano-digital-sheet-music/20514290?narrow_by=two+rivers
​www.musicaneo.com/sheetmusic/sm-294901_two_rivers_for_mezzo-soprano_flute_clarinet_violin_cello_and_piano_op_41.html#294901
“Jeux pour Deux” for two pianos (2007) op.39

A work of neoclassical character with influences from jazz idiom. It is dedicated to the piano duo “Dimitra Mane – Andy Miliory” and to Maurice Ravel in the musical style of whom there are intentional  references - by which was performed at Athenaeum Concert Hall Athens in 2008. The work have been secondly performed by Ting Ke and Chenshayang Huang at Boston University Concert Hall under Spring 14 Piano Ensemble Juries  (K. Papadakis piano class) in 2014 and by Effie Agrafioti and Giorgos Kontrafouris in "D. Mitropoulos" Hall, Athens Concert Hall in 2015.

For video:
www.youtube.com/watch?v=IpEJJHgenjw&t=70s
www.youtube.com/watch?v=JtBs6FnoB7o

For score and parts:
www.sheetmusicplus.com/title/jeux-pour-deux-digital-sheet-music/20445906?narrow_by=jeux+pour+deux
​www.musicaneo.com/sheetmusic/sm-287758_jeux_pour_deux_for_two_pianos_op_39.html#287758
String Quartet 
"Et expecto..." In memoriam Gyorgi Ligeti
(2006) op.35

The work is written in the memory of G. Ligeti. It goes  from strict atonal to tonal and almost neoclassical idiom, from inner intense expression to parody and grotesque humour. Elements so characteristic in the musical  language  of the honored composer.
The 5 parts are:
1. Introduction: "Strange Visitors" (Lento misterioso)
2. Scherzo I: Interrupted cha-cha : "Faith's Dance" (Andantino scherzando)
.Intermezzo: "Et expecto..."(Larghetto semplice)
. Scherzo II: "Devil's Dance" (Allegro giocoso)
5. Finale: "Flames" (Feroce)
 There is also a programmatic scenario behind the five mouvements of the work: Strange visitors appear threatening or cheating. And suddenly Faith start to dance an interrupted cha –cha.  Expectation stands in the center of the work and in the soul of our hero. Devil’s dance leads to the final test. Flames.  Flames  of  purification or flames of hell?
It has been performed by the ensemble “ALEA III” under Theodor Antoniou at “Tsai Performance Centre”, Boston University in 2007. Parts of the work have been performed by "Athens Bridge Quartet" at Faculty Lounge, Deree College under the project "Composing the String Quartet" of Deree Arts Festival in 2013.
"Athens Bridge Quartet" recorded it ion CD (MOTIVO BQ1070) among Greek Composers Works in 2017.

For video:
www.youtube.com/watch?v=AmQq-9oqV9s

For score and parts:
​www.sheetmusicplus.com/title/string-quartet-n-1-et-expecto-in-memoriam-gyorgi-ligeti-digital-sheet-music/20777382?narrow_by=string+quartet
​www.musicaneo.com/sheetmusic/sm-338829_string_quartet_no_1_et_expecto_in_memoriam_gyorgi_ligeti_op_35.html#338829
"Temptations”
Dialogues for clarinet and viola
​(2004) op.26

The work written for the duo: Giannis Sabrovalakis-Andreas  Georgotas in a programmatic character, is a series of variations  in  a concertante style. The exposition of intervallic and motivic elements in the introduction (In the Desert), leads suddenly and unexpectedly (as it fits to a temptation) to 9 short appearances - disguises (Apparitions) - the 5th is a prayer and the 8th  a Devil’s Dance. Finale (Flames) is in the peak of technical and expressional demands.
Large intervals growing high like a cry to the listener between the two instruments and the strict contrapuntal writing suggest an interchange of roles between the tempting one and the other being tempted. Devil’s Dance and Finale rearranged later as parts of the “String Quartet”  (2006).

For score and parts:
www.sheetmusicplus.com/title/temptations-dialogues-for-clarinet-and-viola-digital-sheet-music/20780535?narrow_by=temptations
​www.musicaneo.com/sheetmusic/sm-338923_temptations_dialogues_for_clarinet_and_viola_op_26.html#338923
“Dance Sketches”
for violin and piano (2003) op.23

Four dance like concertante   pieces, each of them a portrait of a composer and a study of his style. A Tango or a Milonga  for Nikos Skalkotas, a Waltz for Alban Berg, a Pas de deux  for Paul Hintemith, and a Sarabande and Capriccio for G.F.Haendel and Igor  Stravinsky respectively. The work performed by Spyros Travlos and Panagiotis Archontidis at “Athenaeum” Concert Hall, Athens, in the same year.

For score and parts:
www.sheetmusicplus.com/title/dance-sketches-for-violin-and-piano-digital-sheet-music/20775036?narrow_by=dance+sketches
​www.musicaneo.com/sheetmusic/sm-338648_dance_sketches_for_violin_and_piano_op_23.html#338648
“Dance Scenes”, for wind quintet
“Hear the Voice inside You …”
(2003) op.22

Written in a strict and abstract dodecaphonic style, follows  the form of a theme and 12  variations- miniatures   (in the style of  Webern) with an  epilogue. There is an emphasis between the  intervallic and motivic interrelations of the initial tone row and the planning of the work. 
In its 2008 version has 4 mouvements:
I."Riddle" (to Yannis Christou)
II."Gnome" (to Gyorgy Ligeti)
III."Fire Dance" (to Arnold Scoenberg)
IV."Choreograpical Variations (to Anton Webern and Igor Stravinsky)
 It has a chorographical character and is  dedicated to the composers above, following their compositional style.

For score and parts:
www.sheetmusicplus.com/title/dance-scenes-for-wind-quintet-digital-sheet-music/20775016?narrow_by=dance+scenes
​www.musicaneo.com/sheetmusic/sm-338647_dance_scenes_for_wind_quintet_op_22.html#338647
“Nocturne”,  for flute, oboe (or clarinet),
​cello and piano (2003) op.20, op.20b

An extended dodecaphonic   work in the form of theme and variations. Its mystic mood (like a all night long ritual) follows the strict composing process. It is divided in seven parts: Theme, Var. I – V, and Epilogue. The 5th Variation is a greek dance (Danza alla Greca).
Because of the demanding and soloistic part of the cello, the work could be a concertino  for this instrument. The performance took place at the “Hellenic American Union” Theatre by the Hellenic Ensemble for Contemporary Music under Iakovos Konitopoulos.

For score and parts:
www.sheetmusicplus.com/title/nocturne-for-flute-oboe-cello-and-piano-digital-sheet-music/20776706?narrow_by=nocturne
www.musicaneo.com/sheetmusic/sm-338823_nocturne.html#338823
www.sheetmusicplus.com/title/nocturne-for-flute-clarinet-cello-and-piano-digital-sheet-music/20776923?narrow_by=nocturne
​www.musicaneo.com/sheetmusic/sm-338823_nocturne.html#338828
“Triodion”
for alto flute, English horn and basset horn (or clarinet) 
 “… like a dry and thirsty land
that has no water.” Psalm 63,1
(1996) op.5, op.5b

An Ode for these three monophonic instruments, a reference to the,    period of the orthodox  church calendar under the same name. The musical idiom here is closer to the traditional tonality with some hints from jazz harmony.
The 5 parts are:
a. Wandering
b. Thoughts
c. Remembrance
d. Hesitation
e. Decision and Passion
The work attempts to express the anxiety and the agony of a believer on his personal way to heaven. It has been performed by Katerina Cenz , Giannis Papagiannis and Stathis Kiosoglou at “Philippos Nakas” Concert Hall, Athens in 1996 and by Nikos Halkias, Georgia Konstantopoulou and Vassilis Paraskeuopoulos  at “Athenaeum” Concert Hall, Athens as well in 2004 .

For video:
www.youtube.com/watch?v=NjNJnYzaoDw

For score and parts:

www.sheetmusicplus.com/title/triodion-for-alto-flute-english-horn-and-basset-horn-digital-sheet-music/21847120?narrow_by=triodion
www.musicaneo.com/sheetmusic/sm-511935_triodion_for_alto_flute_english_horn_and_basset_horn_op_5.html#511935
www.sheetmusicplus.com/title/triodion-for-alto-flute-english-horn-and-alto-clarinet-digital-sheet-music/20780547?narrow_by=triodion
www.musicaneo.com/sheetmusic/sm-338924_triodion_for_alto_flute_english_horn_and_alto_clarinet_op_5.html#338924