Orchestral & Choral Works
"Oedipis Rex Parodos"
for 4-part mixed choir and bass drum
(2024) op.100
for 4-part mixed choir and bass drum
(2024) op.100
The work is a setting on Sophocles v. 151 - 215 in which the Chorus fearfully sings to Zeus, wondering whether the solution is going to be revealed as some awful thing that has been hidden all along or has come back to haunt the city. It describes the horrible plague and its effects, including the diseases that are further spread by all of the dead bodies lying around the city. The Chorus asks what Zeus has in store for the tormented people of Thebes, and in its fear it calls on several gods to step in to protect the people and alleviate the suffering sweeping the city. The rhythmic elaboration follows the ancient metric prosody of the verses in a modal scale environment.
The work is dedicated to Evangelia Thalassini (Director of the stage - Actress - Researcher of Ancient Greek Music email: ([email protected]) who provided the idea and the appropriate information (https://www.youtube.com/watch?v=INpTcHWSpqE&list=PL9dv-8qOvs--Hv3b7zzbdPvz-VU2ZNU8y) for the metric prosody of the ancient text.
For score:
www.sheetmusicplus.com/en/product/oedipus-rex-parodos-for-4-part-mixed-choir-and-bass-drum-22829262.html
www.musicaneo.com/sheetmusic/sm-604435_oedipus_rex_parodos_for_4-part_mixed_choir_and_bass_drum_op_100.html#604435
The work is dedicated to Evangelia Thalassini (Director of the stage - Actress - Researcher of Ancient Greek Music email: ([email protected]) who provided the idea and the appropriate information (https://www.youtube.com/watch?v=INpTcHWSpqE&list=PL9dv-8qOvs--Hv3b7zzbdPvz-VU2ZNU8y) for the metric prosody of the ancient text.
For score:
www.sheetmusicplus.com/en/product/oedipus-rex-parodos-for-4-part-mixed-choir-and-bass-drum-22829262.html
www.musicaneo.com/sheetmusic/sm-604435_oedipus_rex_parodos_for_4-part_mixed_choir_and_bass_drum_op_100.html#604435
Bacchai "Parodos"
for 4-part mixed choir
(2023) op.98
for 4-part mixed choir
(2023) op.98
Bacchai "Parodos" for 4-part mixed choir op.98 by Panagiotis Theodossiou is a setting on Euripides Bacchai v. 64 - 72 in which the Bachai chorus is descending from the mountains in the city of Thebe, Greece, performing a choral ode with pipes and timpani in praise of god Dionysus.
The rhythmic elaboration follows the ancient metric prosody of the verses in a modal scale environment.
The work is dedicated to Evangelia Thalassini (Director of the stage - Actress - Researcher of Ancient Greek Music email: ([email protected]) who provided the idea and the appropriate information (https://www.youtube.com/watch?v=INpTcHWSpqE&list=PL9dv-8qOvs--Hv3b7zzbdPvz-VU2ZNU8y) for the metric prosody of the ancient text.
For score:
www.sheetmusicplus.com/title/bacchai-parodos-for-4-part-mixed-choir-digital-sheet-music/22575624?fbclid=IwAR3MQD24Z8gxCF6yctBlOxWr9po_3iQIGytfo3pNtsc74nO3FygX1o8Eh-E
www.musicaneo.com/sheetmusic/sm-585928_bacchai_parodos_for_4-part_mixed_choir_op_98.html?fbclid=iwar3gp3udfobnc6pcc74ilbutvfefnsg3kg1t6p_lxi7b69z6sefnwk2uc1a#585928
The rhythmic elaboration follows the ancient metric prosody of the verses in a modal scale environment.
The work is dedicated to Evangelia Thalassini (Director of the stage - Actress - Researcher of Ancient Greek Music email: ([email protected]) who provided the idea and the appropriate information (https://www.youtube.com/watch?v=INpTcHWSpqE&list=PL9dv-8qOvs--Hv3b7zzbdPvz-VU2ZNU8y) for the metric prosody of the ancient text.
For score:
www.sheetmusicplus.com/title/bacchai-parodos-for-4-part-mixed-choir-digital-sheet-music/22575624?fbclid=IwAR3MQD24Z8gxCF6yctBlOxWr9po_3iQIGytfo3pNtsc74nO3FygX1o8Eh-E
www.musicaneo.com/sheetmusic/sm-585928_bacchai_parodos_for_4-part_mixed_choir_op_98.html?fbclid=iwar3gp3udfobnc6pcc74ilbutvfefnsg3kg1t6p_lxi7b69z6sefnwk2uc1a#585928
"A Jazzy Mass"
for 4-part children’s or women’s choir
(2019 - 2020) op.79
for 4-part children’s or women’s choir
(2019 - 2020) op.79
The five-movement text of the Latin Mass Service set in jazz, jazz-rock or ballad style for a 4-part choir of high voices and piano accompaniment.
Part of the composer’s doctoral studies on Music Composition in Ionian University (Corfu). Dedicated to the famous, awarded Rozarte Children’s Choir from Greece and its director Rozy Mastrossava along with its piano accompanist Jenny Soulkouki.
The parts:
I.Kyrie (Allegro, Jazz-Rock)
ii.Gloria (Fast Swing)
III.Credo (Lento Moderato, Jazz Ballad)
IV.Sanctus (Medium Fast Swing)
V.Agnus Dei (Grave)
For score and parts:
https://www.sheetmusicplus.com/title/a-jazzy-mass-for-4-part-children-s-or-women-s-choir-digital-sheet-music/21764076
https://www.musicaneo.com/sheetmusic/sm-476003_a_jazzy_mass_for_4-part_children_s_or_women_s_choir_op_79.html#476003
For video:
I.Kyrie
https://www.youtube.com/watch?v=bYXzhAe9oZ0
II.Gloria
https://www.youtube.com/watch?v=R4S1kIbP4Es
III.Credo
https://www.youtube.com/watch?v=PdEGZbM8iFQ
IV.Sanctus
https://www.youtube.com/watch?v=89jidrNLRL0
V.Agnus dei
https://www.youtube.com/watch?v=Vw97_f0ST08
Part of the composer’s doctoral studies on Music Composition in Ionian University (Corfu). Dedicated to the famous, awarded Rozarte Children’s Choir from Greece and its director Rozy Mastrossava along with its piano accompanist Jenny Soulkouki.
The parts:
I.Kyrie (Allegro, Jazz-Rock)
ii.Gloria (Fast Swing)
III.Credo (Lento Moderato, Jazz Ballad)
IV.Sanctus (Medium Fast Swing)
V.Agnus Dei (Grave)
For score and parts:
https://www.sheetmusicplus.com/title/a-jazzy-mass-for-4-part-children-s-or-women-s-choir-digital-sheet-music/21764076
https://www.musicaneo.com/sheetmusic/sm-476003_a_jazzy_mass_for_4-part_children_s_or_women_s_choir_op_79.html#476003
For video:
I.Kyrie
https://www.youtube.com/watch?v=bYXzhAe9oZ0
II.Gloria
https://www.youtube.com/watch?v=R4S1kIbP4Es
III.Credo
https://www.youtube.com/watch?v=PdEGZbM8iFQ
IV.Sanctus
https://www.youtube.com/watch?v=89jidrNLRL0
V.Agnus dei
https://www.youtube.com/watch?v=Vw97_f0ST08
"Premonitions"
for large orchestra (2018) op.76
for large orchestra (2018) op.76
Work written in 2018 a thesis for composer's postgraduate studies in Musical Department of Ionian University ("Composition for Vocal and Instrumental Ensembles").
It is based on the, under the same title ('Premonition'), poem by the 19th century British-Canadian poet Robert William Service (1874 - 1958). Point of departure is the eternal conflict between light and darkness, hope and despair, vision and nightmare, spiritual formation and inner confusion, being together and being apart, past and future, life and death. Leading by love (eros), a series of sudden thoughts and premonitions and the composer's inner visions on Service's text is a vehicle, a canvas for this composition. It follows a multilanguage style between serial-atonal and tonal idiom. It consists of an introduction which is repeated variated at the end as an epilogue and nine variations, each of a different character - independent but following one another without a pause:
1. Introduction, Sudden Thoughts (Severo)
2. Var.I. Towards the Light (Lento ambiamente)
3. Var.II.Nightmare - Shadows' Chase (Allegro deciso)
4. Var.III. Hope (Lento mystico)
5. Var.IV. Moonlight Wandering (Valse noire) (Poco piu mosso)
6. Var.V.Vision i, An Imaginary Procession (L' istesso tempo)
7.Var.VI.Vision ii, Butterflies - An Unexpected Love Affair (Valse d'amour) (Allegro)
8.Var.VΙI. Depression and Relief (Illusion) (Grave)
9.Var.VIII. Contemplation Waltz (Passacaglia) (Con moto)
10.Var.IΧ. Confusion - A Broken Heart (Moderato)
11. Finale. Last Thought (Tempo primo)
For score and parts:
www.sheetmusicplus.com/title/premonitions-for-large-orchestra-digital-sheet-music/21778841?narrow_by=premonitions
www.musicaneo.com/sheetmusic/sm-492893_premonitions_for_large_orchestra_op_76.html#492893
"Tornadoes"
Two Songs for 4part mixed choir
(2017) op.70
Two Songs for 4part mixed choir
(2017) op.70
Based on the, under the same name, poetry collection by Marinos Idomeneos the work is written in tonal idiom and dedicated to Giannis Idomeneos, baritone and conductor of Youth Choir of Heraclion, Crete.
The parts:
Ι. "Μην Μπιστευτείς του Φεγγαριού" ("Don't put your trust in the Moon") (Malinconico)
II. "Λάθος Πορεία" ("Wrong Route") (Andante rubato)
For score:
www.sheetmusicplus.com/title/tornadoes-for-mixed-choir-digital-sheet-music/21845818?narrow_by=tornadoes
www.musicaneo.com/sheetmusic/sm-511794_tornados_for_mixed_choir_op_70.html#511794
The parts:
Ι. "Μην Μπιστευτείς του Φεγγαριού" ("Don't put your trust in the Moon") (Malinconico)
II. "Λάθος Πορεία" ("Wrong Route") (Andante rubato)
For score:
www.sheetmusicplus.com/title/tornadoes-for-mixed-choir-digital-sheet-music/21845818?narrow_by=tornadoes
www.musicaneo.com/sheetmusic/sm-511794_tornados_for_mixed_choir_op_70.html#511794
"Overture"
for woodwinds and brass (2012) op.51
for woodwinds and brass (2012) op.51
I. Processional (Moderato con moto, maestoso)
II. Funeral
III. Triumphal
The work, a commission by three ensembles ("Q innegal", "Just Brass", "Too Bass") was written for and performed in collaboration by them under the composer’s direction in the closing part of their concert in Athens on 2012 ("Parnassos" Concert Hall, Athens).
The three parts suggest the hero's procession to the battle, death and mourning, and at last triumphal hymn up to heaven.
For score and parts:
www.sheetmusicplus.com/title/overture-for-three-ensembles-digital-sheet-music/21844925?narrow_by=overture
www.musicaneo.com/sheetmusic/sm-511734_overture_for_three_ensembles_op_51.html#511734
"This Body"
for mixed choir (2011) op.48
for mixed choir (2011) op.48
A setting of the, under the same title, poem from the collection "Notebook of Exercises" (1929-1937) by G. Seferis.
For score:
www.sheetmusicplus.com/title/this-body-for-mixed-choir-digital-sheet-music/21845136?narrow_by=this+body
www.musicaneo.com/sheetmusic/sm-511753_this_body_for_mixed_choir_op_48.html#511753
Six Children Songs
for two or three part children's choir (2008) op.40
for two or three part children's choir (2008) op.40
Six settings on poetry written by famous Greek poets.
Composed in simple song tonic forms and mainly polyphonic texture.
a. "Little Moon", poetry by G. Visiinos
b. "Go, walk, see, come out", poetry by Al. Adamopoulos
c. "Lullaby", poetry by St. Sperantza
d. "Cuckoo 's Song", poetry by Ar. Makri
e. "Wave, Little Wave", poetry by M. Eleftheriou
f. "The Drummer Boy", poetry by N. Gkatsos
Dedicated to composer's little son, Orfeas-Ioannis. The work has been performed by the vocal ensemble "Philodos" at Danish Intitute in Athens, in 2008.
The work was transcribed for flute duo and trio, saxophone duo and trio, and two flutes and violin trio in 2012.
For score and parts:
Please address to composer's email:
[email protected]
Composed in simple song tonic forms and mainly polyphonic texture.
a. "Little Moon", poetry by G. Visiinos
b. "Go, walk, see, come out", poetry by Al. Adamopoulos
c. "Lullaby", poetry by St. Sperantza
d. "Cuckoo 's Song", poetry by Ar. Makri
e. "Wave, Little Wave", poetry by M. Eleftheriou
f. "The Drummer Boy", poetry by N. Gkatsos
Dedicated to composer's little son, Orfeas-Ioannis. The work has been performed by the vocal ensemble "Philodos" at Danish Intitute in Athens, in 2008.
The work was transcribed for flute duo and trio, saxophone duo and trio, and two flutes and violin trio in 2012.
For score and parts:
Please address to composer's email:
[email protected]
"Hymn”
for string orchestra (2007) op.37c
for string orchestra (2007) op.37c
"Hymn" for string orchestra op.37c is an orchestration by Alexandros Halapsis from an original by the composer (“Aeschylus Hymn to One God” op.37), a 4-part vocal setting of a fragment from “Agamemnon”(“Oresteia”) by Aeschylus (V,160-166). Characterized by a chromatic melody and of remote progress harmony, the work attempts a tribute to the style of Gesualdo da Venosa. It was a commission by the Thomas Tamvakos Greek Composers Archive and it has been performed at the “Hellenic American Union” Theatre by the vocal ensemble “Philodos”, in 2007. Transcribed for flute, violin, and cello in 2021 as “Three for a Hymn” op. 37b.
For score and parts:
www.sheetmusicplus.com/title/hymn-for-string-orchestra-digital-sheet-music/22343967
www.musicaneo.com/sheetmusic/sm-537972_hymn_for_string_orchestra_op_37c.html#537972
For score and parts:
www.sheetmusicplus.com/title/hymn-for-string-orchestra-digital-sheet-music/22343967
www.musicaneo.com/sheetmusic/sm-537972_hymn_for_string_orchestra_op_37c.html#537972
“Aeschilus’ Hymn to One God”
for vocal ensemble or mixed choir (2007) op.37
for vocal ensemble or mixed choir (2007) op.37
A setting of a fragment from “Agamemnon”(“Oresteia”) by Aeschylus (V,160-166). Characterized by a chromatic melody and of remote progress harmony, the work attempts a tribute to the style of Gesualdo da Venosa. It was a commission by the Thomas Tamvakos Greek Composers Archive and it has been performed at the “Hellenic American Union” Theatre by vocal ensemble “Philodos”, in 2007. Transcribed for flute, violin and cello in 2921 as "Three for a Hymn" op.37b.
For score:
www.sheetmusicplus.com/title/aeschilus-hymn-to-one-god-for-vocal-ensemble-or-mixed-choir-digital-sheet-music/20780552?narrow_by=hymn
www.musicaneo.com/sheetmusic/sm-338925_aeschilus_hymn_to_one_god_for_vocal_ensemble_or_mixed_choir_op_37.html#338925
For video:
www.youtube.com/watch?v=P6w6x0ws11Y
“Asklipiadou Epigramma”
for mixed choir (2007) op.36
for mixed choir (2007) op.36
It is a setting of an ancient “epigramma” of erotic-religious character by the Hellenistic era poet Asklipiadis from Palatinian Anthology (V, 64). The work was a commission by the Thomas Tamvakos Greek Composers Archive.
For score:
www.sheetmusicplus.com/title/asclipiadou-epigramma-digital-sheet-music/21395381?narrow_by=asklipiadou
www.musicaneo.com/sheetmusic/sm-369016_asclipiadou_epigramma_op_36.html#369016
“The Flying Hat” Scenes from a Fairy Tail
for orchestra (2006) op.34
for orchestra (2006) op.34
a. “A Little Fanfare”
b. “The Hatland”
c. “Dad, the Giant Hat”
d. “Dance of the Little Hats”
e. “The Wind”
f. “The Flight”
g. “Farewell”
A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of “Geitonas School” who gave the idea for this project.
The work has been transcribed for piano, 4 hands, for the "Duo Pianismo" recital in "Benetatou" Cultural Center of Psihiko in 2010 and for wind quintet for the "Q innegal" Wind Quintet Concerts in Athens in 2011 ("Attikon Odeion"Conservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.
For score and parts:
(Orchestral version)
www.sheetmusicplus.com/title/the-flying-hat-scenes-from-a-fairy-tale-for-orchestra-digital-sheet-music/21851357?narrow_by=the+flying+hat
www.musicaneo.com/sheetmusic/sm-369363_the_flying_hat.html#512601
(Chamber Orchestra version)
www.sheetmusicplus.com/title/the-flying-hat-for-chamber-orchestra-excerpts-digital-sheet-music/21847414?narrow_by=the+flying+hat
www.musicaneo.com/sheetmusic/sm-369363_the_flying_hat.html#511987
For video:
(orchestral version) with text end illustration:
https://www.youtube.com/watch?v=mqaKLf2QUgE&t=478s
(chamber orchestra version):
www.youtube.com/watch?v=-tsNKs5i2b0
Piano Concerto
for piano and strings (2005) op.33
for piano and strings (2005) op.33
The work is written in the classical form of a concerto and follows a neoclassical idiom. The three parts are respectively dedicated to:
α. Johannes Brahms – Dmitri Schostakovitch,
β. Bella Bartok
γ. Sergei Prokoffiev – Paul Hinthemith – Johann Sebastian Bachbeing a study of each composer’s style .
The whole work is dedicated to pianist Konstantinos Papadakis. The 3d part has been performed by Lorenda Ramou and Orchestra of Colours under the direction of Miltos Logiadis at Benaki Museum Cocert Hall, Athens in 2006.
For score and parts:
www.sheetmusicplus.com/title/piano-concerto-digital-sheet-music/20430143?narrow_by=piano+concerto
www.musicaneo.com/sheetmusic/sm-283938_piano_concerto_op_33.html#283938
For video:
https://www.youtube.com/watch?v=56kEhr1aNns
https://www.youtube.com/watch?v=80OyC1pqMgo
https://www.youtube.com/watch?v=4S4lP5pSF6k
“Theme and Variations”
for string orchestra (2005) op.30
for string orchestra (2005) op.30
The work is written especially for the composer’s final composition diploma and has been his second attempt to write a work in a large scale (the first was a cello concerto - fantasia).
The parts:
1.Theme: Andante espressivo
2.Var. I: Agitato con moto
3.Var. II: L' istesso tempo, Misterioso
4.Var. III: Waltz funebre, Allegretto
5.Var. IV: Andante sostenuto
6.Var. V: Allegro molto
7.Var. VI: Andante semplice
8.Var. VII: Tempo di waltz, Allegro
9.Var. VIII: Jazz Polka, L' istesso tempo
10.Var. IX: Adagio maestoso
11.Var. X: Tempo primo
12.Finale: L' istesso tempo
The theme, on which ten variations lead to the grandiose finale, is written by a composer’s good friend, Nikos Drelas. The strict polyphonic writing of the earlier serial works as well as the free homophonic style of the last almost tonic are here all together in a almost progressive idiom. The programmatic nature of this composition coexists with the absolute musical sound form. Titles of variations like “Waltz funebre” or “Jazz Polka”, in an austere musical text give the point for a new direction in composer’s creative thinking. Parts of the work have been performed by Philothei - Psychico Youth Orchestra under the direction of the composer at Benetatou Cultural Center in October 2014.
For score and parts:
www.sheetmusicplus.com/title/theme-and-variations-for-string-orchestra-digital-sheet-music/20445907?narrow_by=theme
www.musicaneo.com/sheetmusic/sm-287760_theme_and_variations_for_string_orchestra_op_30.html#287760
For video:
https://www.youtube.com/watch?v=yFJX5DXQaiA
https://www.youtube.com/watch?v=ASIC4x8BV_4&t=2s
https://www.youtube.com/watch?v=ijsl8qz8Q5Q
https://www.youtube.com/watch?v=LiitDuH4wCk
https://www.youtube.com/watch?v=YeVUcJUIbFA&t=2s
The parts:
1.Theme: Andante espressivo
2.Var. I: Agitato con moto
3.Var. II: L' istesso tempo, Misterioso
4.Var. III: Waltz funebre, Allegretto
5.Var. IV: Andante sostenuto
6.Var. V: Allegro molto
7.Var. VI: Andante semplice
8.Var. VII: Tempo di waltz, Allegro
9.Var. VIII: Jazz Polka, L' istesso tempo
10.Var. IX: Adagio maestoso
11.Var. X: Tempo primo
12.Finale: L' istesso tempo
The theme, on which ten variations lead to the grandiose finale, is written by a composer’s good friend, Nikos Drelas. The strict polyphonic writing of the earlier serial works as well as the free homophonic style of the last almost tonic are here all together in a almost progressive idiom. The programmatic nature of this composition coexists with the absolute musical sound form. Titles of variations like “Waltz funebre” or “Jazz Polka”, in an austere musical text give the point for a new direction in composer’s creative thinking. Parts of the work have been performed by Philothei - Psychico Youth Orchestra under the direction of the composer at Benetatou Cultural Center in October 2014.
For score and parts:
www.sheetmusicplus.com/title/theme-and-variations-for-string-orchestra-digital-sheet-music/20445907?narrow_by=theme
www.musicaneo.com/sheetmusic/sm-287760_theme_and_variations_for_string_orchestra_op_30.html#287760
For video:
https://www.youtube.com/watch?v=yFJX5DXQaiA
https://www.youtube.com/watch?v=ASIC4x8BV_4&t=2s
https://www.youtube.com/watch?v=ijsl8qz8Q5Q
https://www.youtube.com/watch?v=LiitDuH4wCk
https://www.youtube.com/watch?v=YeVUcJUIbFA&t=2s
“Adagio”
for string orchestra
(2005) op.29
for string orchestra
(2005) op.29
It is a rearrangement of “Phos Ilaron”, for mixed choir (1984) The string writing reveals another aspect of the expressive possibilities of this early work. The work was performed by Psychiko Youth Orchestra under Yiannis Protopapas musical direction at Arssakeion Educational Institute Theater in 2017.
For score and parts:
www.sheetmusicplus.com/title/adagio-digital-sheet-music/20433263?narrow_by=adagio
www.musicaneo.com/sheetmusic/sm-284799_adagio_for_string_orchestra_op_29.html#284799
For video:
www.youtube.com/watch?v=yzVM2GcTFDM
“Fantasia Concertante”
for cello and large orchestra (2004) op.27
for cello and large orchestra (2004) op.27
The almost traditionally tonic idiom of the work is a turning point for the composer’s thinking to more simple forms and easy to comprehend musical language. The tempos (Maestoso con moto – Poco meno mosso – L’ istesso tempo ma espressivo e tranquillo – Lento – Tempo primo) and the overall character is one of a romantic concerto. It is dedicated to Manos Hatzidakis and composer believes that it has something from him and his music.
For score and parts:
www.sheetmusicplus.com/title/fantasia-concertante-for-cello-and-orchestra-digital-sheet-music/21420758?narrow_by=fantasia
www.musicaneo.com/sheetmusic/sm-371906_fantasia_concertante_for_cello_and_orchestra_op_27.html#371906
For video:
https://studio.youtube.com/video/SN9Sio2bFHI/edit
"Romanza"
for large oboe and strings
(2003) op.24
for large oboe and strings
(2003) op.24
Incidental music for the narration of the novel “Eros Iros” by Alexandros Papadiamantis for a CD production by Geitonas School. A romantic and lyrical composition in the form of the Lied. The work was performed by oboe soloist Isidora Kopsida and Psychiko Youth Orchestra under composer's musical direction at Psychiko Catholic Church in 2016 and by oboe soloist Stella Nikiolaidi and the same orchestra by the musical direction of Emmanouil Lorentzos in Athens Conservatory Concert Hall in 2018.
For score and parts:
https://www.sheetmusicplus.com/title/romanza-for-oboe-and-strings-digital-sheet-music/20443146
https://panagiotistheodossiou.musicaneo.com/sheetmusic/sm-287447_romanza_for_oboe_and_strings_op_24.html
For video:
www.youtube.com/watch?v=aDRwmxvOXdM
www.youtube.com/watch?v=x5lrvWbYRpQ
For score and parts:
https://www.sheetmusicplus.com/title/romanza-for-oboe-and-strings-digital-sheet-music/20443146
https://panagiotistheodossiou.musicaneo.com/sheetmusic/sm-287447_romanza_for_oboe_and_strings_op_24.html
For video:
www.youtube.com/watch?v=aDRwmxvOXdM
www.youtube.com/watch?v=x5lrvWbYRpQ
"A Triumphal Fanfare"
for large symphonic band
(2002 - 2006) op.17
for large symphonic band
(2002 - 2006) op.17
Dedicated to famous Greek clarinetist and band leader Stathis Kiossoglou.
For score and parts:
www.sheetmusicplus.com/title/a-triumphal-fanfare-digital-sheet-music/21394944?narrow_by=a+triumphal+fanfare
www.musicaneo.com/sheetmusic/sm-369004_a_triumphal_fanfare_op_17.html#369004
“M”
for piano, double bass and orchestra
(2002) op.10
for piano, double bass and orchestra
(2002) op.10
A symphonic study in jazz idiom dedicated to composer's wife, Myrto. From the composer’s collection “Music and Vision”.
For score and parts:
https://www.sheetmusicplus.com/title/-m--digital-sheet-music/21870418
https://panagiotistheodossiou.musicaneo.com/sheetmusic/sm-513574_m_op_10.html
“Epic Overture”
for synthesizers and large orchestra (2002) op.9
for synthesizers and large orchestra (2002) op.9
An orchestral overture of epic-romantic a character written for a hypothetical overproduction. From the composer’ s collection “Music and Vision”.
For score and parts:
www.sheetmusicplus.com/title/epic-overture-for-large-orchestra-digital-sheet-music/21801201
www.musicaneo.com/sheetmusic/sm-507860_epic_overture_for_large_orchestra_op_9.html#507860
“Barcarole”
A Dream for orchestra ( 2002) op.8.
A Dream for orchestra ( 2002) op.8.
Short orchestral “comment” of romantic-impressionistic style, part of “Music and Vision”, a composer’s collection about sound and image (music for theatre, cinema, television or just imaginary visions).
For score and parts:
www.sheetmusicplus.com/title/barcarole-a-dream-for-orchestra-digital-sheet-music/21409060
www.musicaneo.com/sheetmusic/sm-370585_barcarole_a_dream_for_orchestra_op_8.html#370585
For video:
https://youtu.be/KrpJULnwaHs
For score and parts:
www.sheetmusicplus.com/title/barcarole-a-dream-for-orchestra-digital-sheet-music/21409060
www.musicaneo.com/sheetmusic/sm-370585_barcarole_a_dream_for_orchestra_op_8.html#370585
For video:
https://youtu.be/KrpJULnwaHs
"Phos Ilaron”, for mixed choir (1984) op.1
The first, in chronological order, work of the composer, the result of his theological quest. It is a setting of an early Christian era hymn known as “Epilihnios”, which is in use today in the Orthodox ritual. Written in a rather chromatic style, having no relation with the melodic line of the traditional hymn, the work attempts to express the intense agony and passion at the beginning of one’s prayer, up to the final “apatheia”, the inner sense of fulfillment in his soul. A state of being without any passion as a consequence of divine energy, the action of divine light (“phos”). The Adagio for string orchestra (2005) is based in this work.
For score:
www.sheetmusicplus.com/title/phos-ilaron-for-mixed-choir-digital-sheet-music/21845514
For score:
www.sheetmusicplus.com/title/phos-ilaron-for-mixed-choir-digital-sheet-music/21845514